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Bee, Tom

Tom Bee ~ Gallup

Tom BeeAdopted at birth, Tom Bee was born and raised in the reservation border town of Gallup, New Mexico. Best known as founder and featured artist with the popular 1970s music group XIT, Bee’s composition “(We’ve Got) Blue Skies” was recorded by Michael Jackson and The Jackson 5 on their worldwide hit album “Maybe Tomorrow.” This led to an artist, writer, and producer contract with Motown Records. While under contract with Motown, XIT released two widely acclaimed albums entitled “Plight of the Redman” and “Silent Warrior.” A single from the latter album entitled “Reservation of Education” went on to become a top 5 selling record in France and other European countries in 1973. The political overtones of Bee’s lyrics kept them from ever achieving superstar status in the United States, but the group developed a cult status in America and Europe, which has allowed their music to survive for the last thirty years.

In fact, one major newspaper once wrote, “These guys are to the Indians like the Beatles were to the White folks.” Amid a legion of loyal fans throughout the world, their live stage presentations drew comparisons by the media to the raw energy of the Rolling Stones. While at Motown, Bee also wrote and produced the title song “Joyful Jukebox Music” for Michael Jackson’s Swan Song album on the label. He also worked with Smokey Robinson on his first solo album “Smokey.” In 1979, one of his compositions “Red Hot” was a top Billboard dance hit by Taka Boom (Chaka Khan’s sister), and in 1985, U.K. Rockabilly sensation Shakin’ Stevens recorded Bee’s “Don’t Be Two Faced” on his highly successful album, “The Bop Won’t Stop.”

Through the years Bee’s compositions have appeared on numerous other albums and special projects as well. In 1989, Bee formed Sound of America Records (SOAR), in the garage of his home. In 1995, Bee formed yet another company, SOAR Distribution LTD for the sole purpose of providing his clients with one-stop music from other independent labels and artists also producing Native American music. In 1999, SOAR purchased all three buildings that they had been leasing since 1991 to house their labels, publishing, and studio operations. SOAR was also enlisted as the exclusive Native American distributor for the Robbie Robertson records “Music for the Native Americans” and “Contact From the Underworld of Redboy,” on Capitol Records, and the multi-million seller “Sacred Spirit” on Virgin Records. SOAR comprises three publishing companies and five different labels; SOAR, Natural Visions, Warrior, Dakotah, and Red Sea. SOAR now has over 300 quality titles of both contemporary and traditional music. Bee has said all along that SOAR was not the first company to record Native American music, but they were the first to take it to the next level. SOAR was, however, the first company to release traditional Native American music on compact disc. He was once quoted as saying “we took Native American music out of the trading posts and into the streets.” SOAR’s motto has always been “Quality titles, not quantity of titles.”

Bee’s radical efforts over a ten year period helped in persuading NARAS to finally create a Native American Folk category in the Grammy’s. Besides numerous gold albums, Bee has received many awards, including the Eagle Spirit in 1994 from the American Film Institute in San Francisco and The Will Sampson Award in 1996 from the First Americans in the Arts. In 1998, Bee received the Producer of the Year Award from the First Annual Native American Music Awards (NAMMY’s). The following year he received the NAMMY’s Lifetime Achievement Award (1999). In 2001, Bee received a Grammy as Producer for Best Native American Music Album in the category’s inaugural year.

Mayor Martin Chavez, of the City of Albuquerque, proclaimed July 27, 2002 to be “Tom Bee Day,” in recognition of Bee’s accomplishments within the music industry as a recording artist, songwriter, record producer and multi-award winner. On February 8, 2003, Bee received the Lifetime Achievement Award from First Americans In The Arts in Beverly Hills, Ca. Most recently, on February 19, 2003, in New York City, Bee received the Lifetime Achievement Award from Four Directions Entertainment. Recent achievements include a 2004 Grammy nomination for his album “Reveal His Glory.” Bee won a Grammy for producing the 2004 Grammy winning record “Flying Free” by Black Eagle.

Tom lives in Albuquerque, New Mexico.

above: “Sacred Warrior” – song performed and produced by Tom Bee. The video was shot and produced by Video Works ABQ and took first place at the Native American Music Awards.

for more information: Soar Records

source: wikipedia.org

see also: XIT

 

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Abod, Susan

Susan Gayle Abod ~ Albuquerque

Susan Abod

Genres: Cabaret, Jazz

Abod (b. 1951, Chicago) is an American feminist activist and musician. She was a member of the Chicago Women’s Liberation Rock Band and was nominated for an Outmusic award for Best Female Debut CD in 2004. Susan lives and works in Santa Fe.

Let’s start with the name. Abod is pronounced like “avid” except with a “b”. The story surrounding this odd name is that Susan’s father’s father, Sol deserted the Russian army and arrived at Ellis Island with a name something like “Obodofsky” It is rumored that Sol, wanting to be free of discrimination in the new country, chopped off the “ofsky” but then it seems that the Ellis Island official looking at Sol’s writing, mistook the first letter “O” for an “A” thus you have “Abod”.

Susan’s musical roots go back to when she was 7, singing along to South Pacific in her family’s Chicago basement, ruining the molding by nailing a blanket to the wood to make a curtain for her stage. Susan now harbored a dream: to become what she called “a bohemian singer,” living in New York and performing in small, intimate nightclubs throughout the city. She took her first guitar lessons at the Old Town School of Folk Music in Chicago just about the time when the Beatles album first arrived in the U.S. It was when she was attending her first years of college as an English major that she started writing songs. Like many of her peers, she was disillusioned with the times, so Susan took a time out, left school and went to visit her sister, who was already involved in the women’s movement. After her first few consciousness raising groups she knew she had found a way back to her self through a feminist vision of the future and what she loved, music. She went back to Chicago and auditioned for the newly formed Chicago Women’s Liberation Rock Band.

She joined up playing bass and being one of the lead vocals. The band recorded “Mountain Movin’ Day.”on the Rounder Records label with the New Haven Women’s Liberation Rock Band in 1973.

She attended DePaul University’s Music School to study music composition where she graduated in 1974. Finding herself among a growing community of feminist/women’s music, Susan performed and recorded with Willie Tyson, Casse Culver, and Betsy Rose, in addition to producing concerts for artists like Meg Christian and Margie Adam in Chicago.

In 1982 Susan decided to focus on developing her own writing and performing style. She completed a successful 6-week European Tour and started building up a name for herself in the Boston area lining up gigs at popular nightspots like Ryles and the Club Café. She started to explore and expand her style, stretching her interpretations of her own songs and jazz standards. The Encore Awards nominated her Outstanding Female Vocalist for Excellence in Boston Cabaret.

Diagnosed with Chronic Fatigue Immune Dysfunction Syndrome and Multiple Chemical Sensitivities in 1986, Susan suddenly had to put her dream on hold. Susan explains, “My whole life as I knew it completely changed. I had to stop working and make healing my primary vocation.” Even though the disease exhausted her physical strength and prevented her from working full time, in 1989, at the urging of a friend, she channeled some of her energy into a 2-hour weekly commitment for a year with other artists and writers that grew into a play. The Living with Aids Theater Project created “Alive with Aids” for which she wrote Soliloquy, and performed (included on the CD).

After a failed attempt to keep up with a graduate school counseling program due to her health, Susan was inspired to write and produce a one-hour long documentary “Funny You Don’t Look Sick: Autobiography of an Illness” about her own debilitating condition. Produced by volunteers, the project took three years to complete. Screened at the Museum of Fine Arts Boston in November 1995, the video has since been distributed to thousands of individuals, schools and libraries throughout the country. The sequel “Homesick” is due for release at the end of the year. (To see video preview go to www.homesick-video.com)

Fifteen years after the initial diagnosis, Susan produced her first CD “In the Moment” featuring 16 songs. The CD represents a collection of original songs and favorite covers that Susan has gathered over the years reflecting music and lyrics that are thought provoking, inspiring, and entertaining.

More recently she recorded 2 new songs which can be found on itunes: Under Santa Fe Skies and Holiday Time in Santa Fe.

above: Susan Abod plays “Caffeine” at Tiny’s of Santa Fe 2/16/2011

for more information: susanabod.com

source: susanabod.com

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Handsome Family, The

The Handsome Family ~ Albuquerque

Handsome FamilyEnter the dark forest of The Handsome Family. This is haunting and beautiful music— brilliant, emotionally-charged and totally unique. Maybe you just discovered them (like the 3 million people who’ve watched the True Detective opening montage on youtube)? Maybe you’ve been following them for the last twenty years? Either way you’ll be happy to know that The Handsome Family are far more than just the band that wrote the song, “Far From Any Road” which was used as True Detective’s main title theme.

The Handsome Family is an alternative country and Americana duo consisting of husband and wife Brett and Rennie Sparks, with nearly 15 albums to their name. Originally from Chicago, they have lived in Albuquerque, New Mexico since 2001.

May, 2013 was the release of The Handsome Family’s Wilderness, a record about animals (frogs, flies, wildebeest, octopuses, lizards…), but in lyricist Rennie Sparks’ hands the wonders of nature are intertwined with true stories of Stephen Foster’s death in a Bowery flophouse, General Custer’s shiny boots as he lay dead on a Montana prairie and the capture of Mary Sweeney, the Wisconsin Window Smasher of 1896. There are also tall tales of the octopus’s hypnotic sea-dance, the frenzied mayhem of a town afflicted by a golden lizard’s bite and an enormous mansion full of screeching owls. Musically you’ll hear everything from parlor ballads to overdriven guitars, trilling mandolin and clawhammer banjo, but also beautiful bells, intricate seven-part harmonies, pedal steel and elemental rock ’n roll.

The Handsome Family is a 20-year songwriting collaboration between husband and wife, Brett (music) and Rennie Sparks (words). Their lyrics and music are very intense, highly descriptive and full of meticulously-researched narrative and exhilarating musical re-imaginings of everything from Appalachian holler, psychedelic rock, Tin Pan Alley and medieval ballad. Of course you don’t have to be a music historian to love these songs. They are full of romantic longing for nature’s mysterious beauty and the tiny wonders of everyday life. They pair sweet melody with sad harmony, love poetry with dark beats. This is music that makes you shiver and cry, but also makes you happy to be alive.

Wilderness, the CD has a companion release in a book also entitled Wilderness which contains essays and art by Rennie Sparks. The book expands and intertwines the ideas of the CD, making you consider anew everything from ant spirals and woodpecker tongues to the immortal jellyfish and the secret language of crows. The black and white version of the book will be published by The Handsome Family while Carrot Top Records will be releasing a deluxe box set of Wilderness which includes a full-color, fine-art version of the book, the LP and also a poster and postcards featuring Rennie Sparks’ colorful animal imagery.

The Handsome Family’s music and lyricism has always attracted intellectual and devoted fans. Their songs are frequently covered by many notable artists including Jeff Tweedy, Andrew Bird, Kelly Hogan and Christy Moore. Their work has garnered praise from Bruce Springsteen, Ringo Starr, and an unnamed singer on American Idol.

Wilderness is The Handsome Family’s ninth studio album of strange and compelling music. The Handsome Family’s 2009 release, Honey Moon was an album of love songs, but the lovers found within these tracks were a praying mantis, a sleeping bird, a cement truck, and a puddle. The previous record, Last Days of Wonder (2006), was a paean to beacons of the last century from polar explorers and Nikola Tesla to the first abandoned shopping carts and lone shoes thrown over telephone wires.

The band has appeared in the movie, I’m Your Man (2005), a tribute to Leonard Cohen as well as Searching for the Wrong-Eyed Jesus (2004), a back roads travelogue of arcane Americana music. They have appeared on numerous Irish TV shows as well as Jools’ Hollands’ Later.

The Handsome Family record all their songs in a converted garage studio at the back of their house in Albuquerque, New Mexico, USA. Sometimes live they are a duo (Brett on guitar/vocals, Rennie on banjo/bass ukulele/vocals, sometimes accompanied by a drum machine), but often of late they are joined by percussionist Jason Toth.

A live review by Mike Ritchie in The Scotsman noted, “There’s a lot of smiling at this gig, on and off stage. That might surprise many people who have only read about the duo’s penchant for songs riddled with darkness, death and the macabre. But Rennie Sparks and her husband, Brett are funny live…through their chit-chat, the song introductions and the banter with the audience…this sell-out show was a knockabout celebration of the deadpan, a real joy… Rennie’s words plus Brett’s music and strong, mellow vocals create a magical potion of grim fairytales in a rock and blues pot with grinning unavoidable.”

The Handsome Family are honored to note that June, 2014 was the release of Andrew Bird’s, Things Are Really Great Here, Sort Of, an entire record of Handsome Family songs!

above: True Detective – Intro / Opening Song – Theme, The Handsome Family – Far From Any Road.

for more information: handsomefamily.com

source: handsomefamily.com

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Tenney, James

James Tenney ~ Silver City

James TenneyTenney (August 10, 1934 – August 24, 2006) was an American composer and influential music theorist. Tenney was born in Silver City, New Mexico. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, Lejaren Hiller, John Cage, Harry Partch, and Edgard Varèse. He also studied information theory under Lejaren Hiller, and composed stochastic early computer music before turning almost completely to writing for instruments with the occasional tape delay, often using just intonation and alternative tunings. Tenney’s notable students include John Luther Adams, John Bischoff, Peter Garland, Larry Polansky, Charlemagne Palestine, and Marc Sabat. He performed with John Cage, as well as with the ensembles of Harry Partch (in a production of Partch’s The Bewitched in 1959), Steve Reich, and Philip Glass (the latter two in the late 1960s).

above: James Tenney’s composition “Swell Piece #1” performed by Merle Noir, directed by Mike Edgerton.

for more information: composers21.com

source: wikipedia.org

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Castillo, Randy

Randolpho Francisco Castillo ~ Albuquerque

Randy Castillo Castillo (December 18, 1950 – March 26, 2002) was best known as Ozzy Osbourne’s drummer during the mid-1980s to the early 1990s, and later as drummer for Mötley Crüe, from 1999 to his death from cancer in 2002.

Randy was born to a Spanish/French/Native American mother, Margaret, and Native American/Hispanic father Frank (Kiko). He was one of five children, and his sisters, Frances, Marilyn, Phyllis and Christine, all play music. His first band experience was at West Mesa High School in Albuquerque, New Mexico, playing in the jazz band, orchestra and marching band. He wrote the high school cadence that is still being used to this day. He played trumpet for a short time then realized his passion was the drums. He decided he wanted a drum kit instead, especially after seeing The Beatles play on The Ed Sullivan Show in early February 1964. However, his father refused to buy him one, thinking he would only lose interest, as he had already done with the trumpet.

When he was 18, Castillo played in a band called The Tabbs, who wore mustard coloured Nehru jackets on stage. On 18 June 1970, exactly three months before Jimi Hendrix died, he snuck into one of Hendrix’s concerts and hid under the stage to get a closer look. After leaving The Tabbs, he then played with The Mudd and began heavy drug use, including mescaline, peyote and heroin. The band’s lead singer, Tommy G, died of kidney failure, which Castillo blamed on Tommy’s addiction to heroin. This caused him to shy away from using the drug again.

He joined his first rock band, The Wumblies (originally called Cottonmouth), in the late ’70s and he moved to Espanola where they predominantly played covers of songs by Yes, Black Sabbath, Led Zeppelin and Jethro Tull at as many gigs as possible, including high school proms. He first experienced life on the road with The Wumblies as they toured around America, playing four 45-minute sets per night in clubs. Castillo became an instant drumming icon in all cities toured. The band moved to Denver, Colorado where they fell apart in 1980; a year later, his father Frank died at age 51.

In 1980, Castillo recorded an LP with a band called The Offenders. The band also featured Randy Rand of Autograph and Glenn Sherba of Badfinger.

Realizing he had to move to Los Angeles if he wanted to make it big, he made the transition in 1981 with Albuquerque-bred guitarist Tim Pierce and they rented a run-down room together in Hollywood at the Montecito on Franklin Avenue. Having endured enough of the local hookers and transvestites, they moved out and Castillo began living in his pick-up truck. On the recommendation of another former Albuquerque musician, singer/songwriter Michael Goodroe, he joined pop band The Motels, whom Goodroe played bass for, when their drummer fell sick with a heart condition just as they were about to go on tour. Castillo embarked on his first major arena tour with The Motels in support of The Cars.

For the better part of 1982 Castillo was a member of the Chicago-based band USSA which also featured former Cheap Trick member Pete Comita on guitar, ex-Montrose vocalist Bob James as well as former Oak Park, IL based band Off Broadway front man / vocalist Cliff Johnson, ex-Wumblies bassist Rick Wilson, and former Pezband guitarist Tommy Gawenda. USSA gigged in and around Chicago, sharing Cheap Trick’s manager Ken Adamany. While no studio recordings of USSA are in circulation, a live recording dating from June 1982 has surfaced and can be heard on YouTube.

In 1984, Castillo was hired to play drums for Lita Ford and was featured on her Dancin’ On The Edge album. Ford introduced Castillo to her boyfriend, Mötley Crüe bassist Nikki Sixx, and Nikki’s bandmate Tommy Lee. Shortly after the “Dancin’ on the Edge” tour, Lee called Castillo from a party he was at with Ozzy Osbourne and told him Ozzy was looking for a new drummer. Despite being unable to audition right away due to a broken leg he suffered while skiing, Castillo was hired by Osbourne a couple months later and ended up staying with the Ozzy Osbourne band for ten years, recording five albums with Ozzy during that time. These were The Ultimate Sin (1986), No Rest for the Wicked (1988), an EP entitled Just Say Ozzy (1990), No More Tears (1991), and a double-disc live album, Live & Loud (1993).

After recording Ozzy’s live album in 1993, he joined the short-lived Bone Angels, followed by Red Square Black. Castillo also briefly returned to Osbourne’s band in 1995 for a tour, and played drums on several tribute albums during this time. He played with Ronnie James Dio on a cover of Alice Cooper’s “Welcome To My Nightmare” on the Alice Cooper tribute album “Welcome To The Nightmare (An All Star Tribute To Alice Cooper) ” and performed all drumming duties on a star-studded Def Leppard tribute album titled Leppardmania. The album featured John Corabi (Angora, The Scream, Mötley Crüe), Paul Shortino (Rough Cutt, Quiet Riot), Kevin DuBrow (Quiet Riot), Joe Leste (Bang Tango), and Jani Lane (Warrant, solo artist), among others. Guitar and bass duties were handled by Jerry Dixon and Erik Turner of Warrant, and Tracii Guns of L.A. Guns.

In 1999, after Tommy Lee had left Mötley Crüe, Sharon Osbourne called Castillo and told him about the job opening. Mötley Crüe gave him the job without an audition. He’d previously briefly played with Vince Neil as a touring drummer for the Vince Neil Band, and was an old friend of the band. His only recording with the band, 2000’s New Tattoo, was somewhat of a return to the classic Mötley Crüe sound. However, fan reaction was mixed and the album was not as successful as the band was hoping it would be. Still, there was excitement over the upcoming tour due to the revival in interest of many ’80s hard rock acts, and the band geared up for their “Maximum Rock” tour with thrash metal legends Anthrax and Megadeth.

A couple of weeks before Mötley Crüe was set to tour the New Tattoo album, Castillo became ill while performing with his mariachi side project Azul at the Cat Club in Hollywood. Immediately after the show Castillo took a cab to nearby Cedars Sinai Hospital where he collapsed as he was being admitted. The doctors discovered a duodenal ulcer that had ruptured his stomach and performed emergency surgery that saved Castillo’s life. While taking time off from Mötley Crüe to recover from his surgery, he discovered a small lump on his jaw and a month later, after it had grown to roughly the size of a golf ball, he sought treatment and was diagnosed with Squamous cell Carcinoma, a common form of cancer that is not usually fatal if it is discovered early but can spread rapidly if left untreated. The cancer went into remission in mid-2001, and he was rumored to be rejoining Osbourne’s solo band for that summer Ozzfest tour (along with Geezer Butler on bass), though these rumors were later revealed to be untrue.

Within a few months the cancer returned, and a few days after returning to the doctors, Castillo died on March 26, 2002. He was 51 years old. During the final weeks of his life, Castillo had been working with ex-Ozzy Osbourne and Alice in Chains bassist Mike Inez on a new band and was in the process of hiring a singer.

above: Randy Castillo solo with Ozzy Osbourne, 1992.

for more information: randycastillo.com

source: wikipedia.com

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Liebert, Ottmar

Ottmar Liebert ~ Santa Fe

Ottmar LiebertLiebert’s incredible global success on a musical level often seems like a simple outgrowth of his cultural background and powerful wanderlust in his formative years. Born in Cologne, Germany to Chinese-German father and Hungarian mother, he began playing guitar at 11, and traveled extensively through Europe and Asia intent on fully absorbing each musical tradition he encountered. After pursuing his Rock and Roll dreams first in his native Germany and then in Boston, he abandoned the frustrations of the East coast and settled in Santa Fe, New Mexico in 1986, where he records to this day in his home studio. By 1989, he had founded the first incarnation of his new band Luna Negra. Nouveau Flamenco began life as a self-produced local release called Marita: Shadows and Storms, copies of which local Indian artist Frank Howell distributed in his art galleries. When the record found its way to radio stations and began generating a buzz among programmers and an unprecedented response among listeners, Higher Octave Music picked it up and released a fully remastered version.

“I was honestly happy playing this music in hotels and restaurants in Santa Fe, and going in one year from doing that to opening for Miles Davis was a pretty intense jump,” he recalls. “Most shocking for me was to realize how many different people from so many diverse cultures embraced it. I still get letters from fans in Europe, South-America, Australia, and Asia…it’s been a really gratifying experience. I’ve had the opportunity to play in a wide variety of cultural settings with musicians from around the world, and that has been a great experience, too.” Liebert has since become one of the most successful instrumental artists of the past decade, thrilling audiences throughout the world and releasing a catalog of classic recordings. He was ordained as a Zen monk in 2006.

above: “Snakecharmer” by Ottmar Liebert.

for more information: ottmarliebert.com

source: ottmarliebert.com